SETTING A NEW STANDARD IN CONSCIOUS CRAFT, ROOTED IN CARE.
Our vision: Being the first carbon-neutral goldsmith.
THE CORAL COLLECTION
SCULPTURAL PIECES INSPIRED BY THE FRAGILE CAPTIVATING BEAUTY OF CORAL REEFS, ONE OF OUR PLANET’S MOST CAPTIVATING ECOSYSTEMS.
The path to carbon neutrality
True luxury is mindful of its impact. We are actively working to quantify and compensate for our footprint, with the goal of becoming the world's first carbon-neutral goldsmith. We are committed to take measurable action now to align our artistry with our values, ensuring full transparency about our progress.
What our clients are saying
★★★★★
“I enquired whether an engagement ring could be made using a pearl I found during my travels. ‘For someone special, I knew when I found it.’ The customer journey was great, the first design proposal was spot on and the result is stunning! This graceful ring now belongs to my fiancé :)”
— Frederik
★★★★★
“I ordered two rings from Studio-IRIS and have been extremely happy with them! Iris is an artist who takes care to make each piece with care, the highest quality and attention to every detail. The pieces also came in a timely-fashion, well-packed and in perfect condition, exactly as promised. I would highly recommend Studio-IRIS for anyone who needs a special present for someone or just a beautiful piece for themselves.”
— Jesse
★★★★★
“Studio-Iris designed and created a beautiful push present for me. It's a stunning, delicate gold necklace. Iris listened carefully to my wishes and communicated clearly and promptly. We started with several design options before arriving at a final design. I felt truly heard throughout the design process, and as a result, the final piece perfectly reflects my wishes.”
— Anneloes
★★★★★
'“We really wanted a Studio-Iris design for our wedding rings. With some personal adjustments, they became a pieces of jewelry that not only symbolizes the wedding but also feels personal. ”
— Sophie
Born from legacy, driven by vision & crafted with intention.
Meet the founder
‘Where others might just see a landscape, I observe the hidden language of its shapes. I am instinctively drawn to the subtle textures, symbols and the inherent natural rhythm of the environment around me.’